A dark-haired man leans over a marble balustrade. In the ballroom below, his assistants tinker with animatronic elephants that trumpet and with potions for improving black-and-white photographs. The man is an inventor near the turn of the 20^th century. Cape swirling about him, he watches technology wed fantasy.

Welcome to the steampunk genre. A stew of science fiction and Victorianism, steampunk has invaded literature, film, and the Wall Street Journal. A few years after James Watt improved the steam engine, protagonists build animatronics, clone cats, and time-travel. At sci-fi conventions, top hats and blast goggles distinguish steampunkers from superheroes.

The closest the author has come to dressing steampunk.

I’ve never read steampunk other than H. G. Wells’s The Time Machine—and other than the scene recapped above. The scene features in The Wolsenberg Clock, a novel by Canadian poet Jay Ruzesky. The novel caught my eye at an Ontario library.

In Ontario, I began researching the intersection of QI with thermodynamics. Thermodynamics is the study of energy, efficiency, and entropy. Entropy quantifies uncertainty about a system’s small-scale properties, given large-scale properties. Consider a room of air molecules. Knowing that the room has a temperature of 75°F, you don’t know whether some molecule is skimming the floor, poking you in the eye, or elsewhere. Ambiguities in molecules’ positions and momenta endow the gas with entropy. Whereas entropy suggests lack of control, work is energy that accomplishes tasks.
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