# The entangled fabric of space

We live in the information revolution. We translate everything into vast sequences of ones and zeroes. From our personal email to our work documents, from our heart rates to our credit rates, from our preferred movies to our movie preferences, all things information are represented using this minimal {0,1} alphabet which our digital helpers “understand” and process. Many of us physicists are now taking this information revolution at heart and embracing the “It from qubit” motto. Our dream: to understand space, time and gravity as emergent features in a world made of information – quantum information.

Over the past two years, I have been obsessively trying to understand this profound perspective more rigorously. Recently, John Preskill and I have taken a further step in this direction in the recent paper: quantum code properties from holographic geometries. In it, we make progress in interpreting features of the holographic approach to quantum gravity in the terms of quantum information constructs.

In this post I would like to present some context for this work through analogies which hopefully help intuitively convey the general ideas. While still containing some technical content, this post is not likely to satisfy those readers seeking a precise in-depth presentation. To you I can only recommend the masterfully delivered lecture notes on gravity and entanglement by Mark Van Raamsdonk.

## Entanglement as a cat’s cradle

A cat’s cradle serves as a crude metaphor for quantum mechanical entanglement. The full image provides a complete description of the string and how it is laced in a stable configuration around the two hands. However, this lacing does not describe a stable configuration of half the string on one hand. The string would become disentangled and fall if we were to suddenly remove one of the hands or cut through the middle.

Of all the concepts needed to explain emergent spacetime, maybe the most difficult is that of quantum entanglement. While the word seems to convey some kind of string wound up in a complicated way, it is actually a quality which may describe information in quantum mechanical systems. In particular, it applies to a system for which we have a complete description as a whole, but are only capable of describing certain statistical properties of its parts. In other words, our knowledge of the whole loses predictive power when we are only concerned with the parts. Entanglement entropy is a measure of information which quantifies this.

While our metaphor for entanglement is quite crude, it will serve the purpose of this post. Namely, to illustrate one of the driving premises for the holographic approach to quantum gravity, that the very structure of spacetime is emergent and built up from entanglement entropy.

## Knit and crochet your way into the manifolds

But let us bring back our metaphors and try to convey the content of this identification. For this, we resort to the unlikely worlds of knitting and crochet. Indeed, by a planned combination of individual loops and stitches, these traditional crafts are capable of approximating any kind of surface (2D Riemannian surface would be the technical term).

Here I have presented some examples with uniform curvature R: flat in green, positive curvature (ball) in yellow and negative curvature (coral reef) in purple. While actual practitioners may be more interested in getting the shape right on hats and socks for loved ones, for us the point is that if we take a step back, these objects built of simple loops, hooks and stitches could end up looking a lot like the smooth surfaces that a physicist might like to use to describe 2D space. This is cute, but can we push this metaphor even further?

Well, first of all, although the pictures above are only representing 2D surfaces, we can expect that a similar approach should allow approximating 3D and even higher dimensional objects (again the technical term is Riemannian manifolds). It would just make things much harder to present in a picture. These woolen structures are, in fact, quite reminiscent of tensor networks, a modern mathematical construct widely used in the field of quantum information. There too, we combine basic building blocks (tensors) through simple operations (tensor index contraction) to build a more complex composite object. In the tensor network world, the structure of the network (how its nodes are connected to other nodes) generically defines the entanglement structure of the resulting object.

This regular tensor network layout was used to describe hyperbolic space which is similar to the purple crochet. However, they apriori look quite dissimilar due to the use of the Poincaré disk model where tensors further from the center look smaller. Another difference is that the high degree of regularity is achieved at the expense of having very few tensors per curvature radius (as compared to its purple crochet cousin). However, planarity and regularity don’t seem to be essential so the crochet probably provides a better intuitive picture.

Roughly speaking, tensor networks are ingenious ways of encoding (quantum) inputs into (quantum) outputs. In particular, if you enter some input at the boundary of your tensor network, the tensors do the work of processing that information throughout the network so that if you ask for an output at any one of the nodes in the bulk of the tensor network, you get the right encoded answer. In other words, the information we input into the tensor network begins its journey at the dangling edges found at the boundary of the network and travels through the bulk edges by exploiting them as information bridges between the nodes of the network.

In the figure representing the cat’s cradle, these dangling input edges can be though of as the fingers holding the wool. Now, if we partition these edges into two disjoint sets (say, the fingers on the left hand and the fingers on the right hand, respectively), there will be some amount of entanglement between them. How much? In general, we cannot say, but under certain assumptions we find that it is proportional to the minimum cut through the network. Imagine you had an incredible number of fingers holding your wool structure. Now separate these fingers arbitrarily into two subsets L and R (we may call them left hand and right hand, although there is nothing right or left handy about them). By pulling left hand and right hand apart, the wool might stretch until at some point it breaks. How many threads will break? Well, the question is analogous to the entanglement one. We might expect, however, that a minimal number of threads break such that each hand can go its own way. This is what we call the minimal cut. In tensor networks, entanglement entropy is always bounded above by such a minimal cut and it has been confirmed that under certain conditions entanglement also reaches, or approximates, this bound. In this respect, our wool analogy seems to be working out.

## Holography

Holography, in the context of black holes, was sparked by a profound observation of Jacob Bekenstein and Stephen Hawking, which identified the surface area of a black hole horizon (in Planck units) with its entropy, or information content:

$S_{BH} = \frac{k A_{BH}}{4\ell_p^2}$.

Here, $S_{BH}$ is the entropy associated to the black hole, $A_{BH}$ is its horizon area, $\ell_p$ is the Planck length and $k$ is Boltzmann’s constant.
Why is this equation such a big deal? Well, there are many reasons, but let me emphasize one. For theoretical physicists, it is common to get rid of physical units by relating them through universal constants. For example, the theory of special relativity allows us to identify units of distance with units of time through the equation $d=ct$ using the speed of light c. General relativity further allows us to identify mass and energy through the famous $E=mc^2$. By considering the Bekenstein-Hawking entropy, units of area are being swept away altogether! They are being identified with dimensionless units of information (one square meter is roughly $1.4\times10^{69}$ bits according to the Bousso bound).

Initially, the identification of area and information was proposed to reconcile black holes with the laws of thermodynamics. However, this has turned out to be the main hint leading to the holographic principle, wherein states that describe a certain volume of space in a theory of quantum gravity can also be thought of as being represented at the lower dimensional boundary of the given volume. This idea, put forth by Gerard ‘t Hooft, was later given a more precise interpretation by Leonard Susskind and subsequently by Juan Maldacena through the celebrated AdS/CFT correspondence. I will not dwell in the details of the AdS/CFT correspondence as I am not an expert myself. However, this correspondence gave S. Ryu and T. Takayanagi  (RT) a setting to vastly generalize the identification of area as an information quantity. They proposed identifying the area of minimal surfaces on the bulk (remember the minimal cut?) with entanglement entropy in the boundary theory.

Roughly speaking, if we were to split the boundary into two regions, left $L$ and right $R$ it should be possible to also partition the bulk in a way that each piece of the bulk has either $L$ or $R$ in its boundary. Ryu and Takayanagi proposed that the area of the smallest surface $\chi_R=\chi_L$ which splits the bulk in this way would be proportional to the entanglement entropy between the two parts

$S_L = S_R = \frac{|\chi_L|}{4G} =\frac{|\chi_R|}{4G}$.

It turns out that some quantum field theory states admit such a geometric interpretation. Many high energy theory colleagues have ideas about when this is possible and what are the necessary conditions. By far the best studied setting for this holographic duality is AdS/CFT, where Ryu and Takayanagi first checked their proposal. Here, the entanglement features of  the lowest energy state of a conformal field theory are matched to surfaces in a hyperbolic space (like the purple crochet and the tensor network presented). However, other geometries have been shown to match the RT prediction with respect to the entanglement properties of different states. The key point here is that the boundary states do not have any geometry per se. They just manifest different amounts of entanglement when partitioned in different ways.

## Emergence

The holographic program suggests that bulk geometry emerges from the entanglement properties of the boundary state. Spacetime materializes from the information structure of the boundary instead of being a fundamental structure as in general relativity. Am I saying that we should strip everything physical, including space in favor of ones and zeros? Well, first of all, it is not just me who is pushing this approach. Secondly, no one is claiming that we should start making all our physical reasoning in terms of ones and zeros.

Let me give an example. We know that the sea is composed mostly of water molecules. The observation of waves that travel, superpose and break can be labeled as an emergent phenomenon. However, to a surfer, a wave is much more real than the water molecules composing it and the fact that it is emergent is of no practical consequence when trying to predict where a wave will break. A proficient physicist, armed with tools from statistical mechanics (there are more than $10^{25}$ molecules per liter), could probably derive a macroscopic model for waves from the microscopic theory of particles. In the process of learning what the surfer already understood, he would identify elements of the  microscopic theory which become irrelevant for such questions. Such details could be whether the sea has an odd or even number of molecules or the presence of a few fish.

In the case of holography, each square meter corresponds to $1.4\times10^{69}$ bits of entanglement. We don’t even have words to describe anything close to this outrageously large exponent which leaves plenty of room for emergence. Even taking all the information on the internet – estimated at $10^{22}$ bits (10 zettabits) – we can’t even match the area equivalent of the smallest known particle. The fact that there are so many orders of magnitude makes it difficult to extrapolate our understanding of the geometric domain to the information domain and vice versa. This is precisely the realm where techniques such as those from statistical mechanics successfully get rid of irrelevant details.

High energy theorists and people with a background in general relativity tend to picture things in a continuum language. For example, part of their daily butter are Riemannian or Lorentzian manifolds which are respectively used to describe space and spacetime. In contrast, most of information theory is usually applied to deal with discrete elements such as bits, elementary circuit gates, etc. Nevertheless, I believe it is fruitful to straddle this cultural divide to the benefit of both parties. In a way, the convergence we are seeking is analogous to the one achieved by the kinetic theory of gases, which allowed the unification of thermodynamics with classical mechanics.

## So what did we do?

The remarkable success of the geometric RT prediction to different bulk geometries such as the BTZ black holes and the generality of the entanglement result for its random tensor network cousins emboldened us to take the RT prescription beyond its usual domain of application. We considered applying it to arbitrary Riemannian manifolds that are space-like and that can be approximated by a smoothly knit fabric.

Furthermore, we went on to consider the implications that such assumptions would have when the corresponding geometries are interpreted as error-correcting codes. In fact, our work elaborates on the perspective of A. Almheiri, X. Dong and D. Harlow (ADH) where quantum error-correcting code properties of AdS/CFT were laid out; it is hard to overemphasize the influence of this work. Our work considers general geometries and identifies properties a code associated to a specific holographic geometry should satisfy.

In the cat cradle/fabric metaphor for holography, the fingers at the boundary constitute the boundary theory without gravity and the resulted fabric represents a bulk geometry in the corresponding bulk gravitational theory. Bulk observables may be represented in different ways on the boundary, but not arbitrarily. This raises the question of which parts of the bulk correspond to which parts of the boundary. In general, there is not a one to one mapping. However, if we partition the boundary in two parts $L$ and $R$, we expect to be able to split the bulk into two corresponding regions  ${\mathcal E}[L]$  and  ${\mathcal E}[R]$. This is the content of the entanglement wedge hypothesis, which is our other main assumption.  In our metaphor, one could imagine that we pull the left fingers up and the right fingers down (taking care not to get hurt). At some point, the fabric breaks through $\chi_R$ into two pieces. In the setting we are concerned with, these pieces maintain part of the original structure, which tells us which bulk information was available in one piece of the boundary and which part was available in the other.

Although we do not produce new explicit examples of such codes, we worked our way towards developing a language which translates between the holographic/geometric perspective and the coding theory perspective. We specifically build upon the language of operator algebra quantum error correction (OAQEC) which allows individually focusing on different parts of the logical message. In doing so we identified several coding theoretic bounds and quantities, some of which we found to be applicable beyond the context of holography. A particularly noteworthy one is a strengthening of the quantum Singleton bound, which defines a trade-off between how much logical information can be packed in a code, how much physical space is used for encoding this information and how well-protected the information is from erasures.

One of the central observations of ADH highlights how quantum codes have properties from both classical error-correcting codes and secret sharing schemes. On the one hand, logical encoded information should be protected from loss of small parts of the carrier, a property quantified by the code distance. On the other hand, the logical encoded information should not become accessible until a sufficiently large part of the carrier is available to us. This is quantified by the threshold of a corresponding secret sharing scheme. We call this quantity price as it identifies how much of the carrier we would need before someone could reconstruct the message faithfully. In general, it is hard to balance these two competing requirements; a statement which can be made rigorous. This kind of complementarity has long been recognized in quantum cryptography. However, we found that according to holographic predictions, codes admitting a geometric interpretation achieve a remarkable optimality in the trade-off between these features.

Our exploration of alternative geometries is rewarded by the following guidelines

In uberholography, bulk observables are accessible in a Cantor type fractal shaped subregion of the boundary. This is illustrated on the Poincare disc presentation of negatively curved bulk.

• Hyperbolic geometries predict a fixed polynomial scaling for code distance. This is illustrated by a feature we call uberholography. We use this name because there is an excess of holography wherein bulk observables can be represented on intricate subsets of the boundary which have fractal dimension even smaller than the boundary itself.
• Hyperbolic geometries suggest the possibility of decoding procedures which are local on the boundary geometry. This property may be connected to the locality of the corresponding boundary field theory.
• Flat and positive curvature geometries may lead to codes with better parameters in terms of distance and rates (ratio of logical information to physical information). A hemisphere reaches optimum parameters, saturating coding bounds.

Seven iterations of a ternary Cantor set (dark line) on the unit interval. Each iteration is obtained by punching holes from the previous one and the set obtained in the limit is a fractal.

Current day quantum computers are far from the number of qubits required to invoke an emergent geometry. Nevertheless, it is exhilarating to take a step back and consider how the properties of the codes, and information in general, may be interpreted geometrically. On the other hand, I find that the quantum code language we adapt to the context of holography might eventually serve as a useful tool in distinguishing which boundary features are relevant or irrelevant for the emergent properties of the holographic dual. Ours is but one contribution in a very active field. However, the one thing I am certain about is that these are exciting times to be doing physics.

# Quantum Chess

Two years ago, as a graduate student in Physics at USC,  I began work on a game whose mechanics were based on quantum mechanics. When I had a playable version ready, my graduate adviser, Todd Brun, put me in contact with IQIM’s Spiros Michalakis, who had already worked with Google to design qCraft, a mod introducing quantum mechanics into Minecraft. Spiros must have seen potential in my clunky prototype and our initial meeting turned into weekly brainstorming lunches at Caltech’s Chandler cafeteria. More than a year later, the game had evolved into Quantum Chess and we began talking about including a video showing some gameplay at an upcoming Caltech event celebrating Feynman’s quantum legacy. The next few months were a whirlwind. Somehow this video turned into a Quantum Chess battle for the future of humanity, between Stephen Hawking and Paul Rudd. And it was being narrated by Keanu Reeves! The video, called Anyone Can Quantum, and directed by Alex Winter, premiered at Caltech’s One Entangled Evening on January 26, 2016 and has since gone viral. If you haven’t watched it, now would be a good time to do so (if you are at work, be prepared to laugh quietly).

So, what exactly is Quantum Chess and how does it make use of quantum physics? It is a modern take on the centuries-old game of strategy that endows each chess piece with quantum powers. You don’t need to know quantum mechanics to play the game. On the other hand, understanding the rules of chess might help [1].  But if you already know the basics of regular chess, you can just start playing. Over time, your brain will get used to some of the strange quantum behavior of the chess pieces and the battles you wage in Quantum Chess will make regular chess look like tic-tac-toe [2].

In this post, I will discuss the concept of quantum superposition and how it plays a part in the game. There will be more posts to follow that will discuss entanglement, interference, and quantum measurement [3].

In quantum chess, players have the ability to perform quantum moves in addition to the standard chess moves. Each time a player chooses to move a piece, they can indicate whether they want to perform a standard move, or a quantum move. A quantum move creates a superposition of boards. If any of you ever saw Star Trek 3D Chess, you can think of this in a similar way.

Star Trek 3D Chess

There are multiple boards on which pieces exist. However, in Quantum Chess, the number of possible boards is not fixed, it can increase or decrease. All possible boards exist in a superposition. The player is presented with a single board that represents the entire superposition. In Quantum Chess, any individual move will act on all boards at the same time.  Each time a player makes a quantum move, the number of possible boards present in the superposition doubles. Let’s look at some pictures that might clarify things.

The Quantum Chess board begins in the same configuration as standard chess.

All pawns move the same as they would in standard chess, but all other pieces get a choice of two movement types, standard or quantum. Standard moves act exactly as they would in standard chess. However, quantum moves, create superpositions. Let’s look at an example of a quantum move for the white queen.

In this diagram, we see what happens when we perform a quantum move of the white queen from D1 to D3. We get two possible boards. On one board the queen did not move at all. On the other, the queen did move. Each board has a 50% chance of “existence”. Showing every possible board, though, would get quite complicated after just a few moves. So, the player view of the game is a single board. After the same quantum queen move, the player sees this:

The teal colored “fill” of each queen shows the probability of finding the queen in that space; the same queen, existing in different locations on the board. The queen is in a superposition of being in two places at once. On their next turn, the player can choose to move any one of their pieces.

So, let’s talk about moving the queen, again. You may be wondering, “What happens if I want to move a piece that is in a superposition?” The queen exists in two spaces. You choose which of those two positions you would like to move from, and you can perform the same standard or quantum moves from that space. Let’s look at trying to perform a standard move, instead of a quantum move, on the queen that now exists in a superposition. The result would be as follows:

The move acts on all boards in the superposition. On any board where the queen is in space D3, it will be moved to B5. On any board where the queen is still in space D1, it will not be moved. There is a 50% chance that the queen is still in space D1 and a 50% chance that it is now located in B5. The player view, as illustrated below, would again be a 50/50 superposition of the queen’s position. This was just an example of a standard move on a piece in a superposition, but a quantum move would work similarly.

Some of you might have noticed the quantum move basically gives you a 50% chance to pass your turn. Not a very exciting thing to do for most players. That’s why I’ve given the quantum move an added bonus. With a quantum move, you can choose a target space that is up to two standard moves away! For example, the queen could choose a target that is forward two spaces and then left two spaces. Normally, this would take two turns: The first turn to move from D1 to D3 and the second turn to move from D3 to B3. A quantum move gives you a 50% chance to move from D1 to B3 in a single turn!

Let’s look at a quantum queen move from D1 to B3.

Just like the previous quantum move we looked at, we get a 50% probability that the move was successful and a 50% probability that nothing happened. As a player, we would see the board below.

There is a 50% chance the queen completed two standard moves in one turn! Don’t worry though, things are not just random. The fact that the board is a superposition of boards and that movement is unitary (just a fancy word for how quantum things evolve) can lead to some interesting effects. I’ll end this post here. Now, I hope I’ve given you some idea of how superposition is present in Quantum Chess. In the next post I’ll go into entanglement and a bit more on the quantum move!

Notes:

[1] For those who would like to know more about chess, here is a good link.

[2] If you would like to see a public release of Quantum Chess (and get a copy of the game), consider supporting the Kickstarter campaign.

[3] I am going to be describing aspects of the game in terms of probability and multiple board states. For those with a scientific or technical understanding of how quantum mechanics works, this may not appear to be very quantum. I plan to go into a more technical description of the quantum aspects of the game in a later post. Also, a reminder to the non-scientific audience. You don’t need to know quantum mechanics to play this game. In fact, you don’t even need to know what I’m going to be describing here to play! These posts are just for those with an interest in how concepts like superposition, entanglement, and interference can be related to how the game works.

# IQIM Presents …”my father”

Debaleena Nandi at Caltech

Following the IQIM teaser, which was made with the intent of creating a wider perspective of the scientist, to highlight the normalcy behind the perception of brilliance and to celebrate the common human struggles to achieve greatness, we decided to do individual vignettes of some of the characters you saw in the video.

We start with Debaleena Nandi, a grad student in Prof Jim Eisenstein’s lab, whose journey from Jadavpur University in West Bengal, India to the graduate school and research facility at the Indian institute of Science, Bangalore, to Caltech has seen many obstacles. We focus on the essentials of an environment needed to manifest the quest for “the truth” as Debaleena says. We start with her days as a child when her double-shift working father sat by her through the days and nights that she pursued her homework.

She highlights what she feels is the only way to growth; working on what is lacking, to develop that missing tool in your skill set, that asset that others might have by birth but you need to inspire by hard work.

Debaleena’s motto: to realize and face your shortcomings is the only way to achievement.

As we build Debaleena up, we also build up the identity of Caltech through its breathtaking architecture that oscillates from Spanish to Goth to modern. Both Debaleena and Caltech are revealed slowly, bit by bit.

This series is about dissecting high achievers, seeing the day to day steps, the bit by bit that adds up to the more often than not, overwhelming, impressive presence of Caltech’s science. We attempt to break it down in smaller vignettes that help us appreciate the amount of discipline, intent and passion that goes into making cutting edge researchers.

Presenting the emotional alongside the rational is something this series aspires to achieve. It honors and celebrates human limitations surrounding limitless boundaries, discoveries and possibilities.

Stay tuned for more vignettes in the IQIM Presents “My _______” Series.

But for now, here is the video. Watch, like and share!

(C) Parveen Shah Production 2014

# Can a game teach kids quantum mechanics?

Five months ago, I received an email and then a phone call from Google’s Creative Lab Executive Producer, Lorraine Yurshansky. Lo, as she prefers to be called, is not your average thirty year-old. She has produced award-winning short films like Peter at the End (starring Napoleon Dynamite, aka Jon Heder), launched the wildly popular Maker Camp on Google+ and had time to run a couple of New York marathons as a warm-up to all of that. So why was she interested in talking to a quantum physicist?

You may remember reading about Google’s recent collaboration with NASA and D-Wave, on using NASA’s supercomputing facilities along with a D-Wave Two machine to solve optimization problems relevant to both Google (Glass, for example) and NASA (analysis of massive data sets). It was natural for Google, then, to want to promote this new collaboration through a short video about quantum computers. The video appeared last week on Google’s YouTube channel:

This is a very exciting collaboration in my view. Google has opened its doors to quantum computation and this has some powerful consequences. And it is all because of D-Wave. But, let me put my perspective in context, before Scott Aaronson unleashes the hounds of BQP on me.

Two years ago, together with Science magazine’s 2010 Breakthrough of the Year winner, Aaron O’ Connell, we decided to ask Google Ventures for \$10,000,000 dollars to start a quantum computing company based on technology Aaron had developed as a graduate student at John Martini’s group at UCSB. The idea we pitched was that a hand-picked team of top experimentalists and theorists from around the world, would prototype new designs to achieve longer coherence times and greater connectivity between superconducting qubits, faster than in any academic environment. Google didn’t bite. At the time, I thought the reason behind the rejection was this: Google wants a real quantum computer now, not just a 10 year plan of how to make one based on superconducting X-mon qubits that may or may not work.

I was partially wrong. The reason for the rejection was not a lack of proof that our efforts would pay off eventually – it was a lack of any prototype on which Google could run algorithms relevant to their work. In other words, Aaron and I didn’t have something that Google could use right-away. But D-Wave did and Google was already dating D-Wave One for at least three years, before marrying D-Wave Two this May. Quantum computation has much to offer Google, so I am excited to see this relationship blossom (whether it be D-Wave or Pivit Inc that builds the first quantum computer). Which brings me back to that phone call five months ago…

Lorraine: Hi Spiro. Have you heard of Google’s collaboration with NASA on the new Quantum Artificial Intelligence Lab?

Me: Yes. It is all over the news!

Lo: Indeed. Can you help us design a mod for Minecraft to get kids excited about quantum mechanics and quantum computers?

Me: Minecraft? What is Minecraft? Is it like Warcraft or Starcraft?

Lo: (Omg, he doesn’t know Minecraft!?! How old is this guy?) Ahh, yeah, it is a game where you build cool structures by mining different kinds of blocks in this sandbox world. It is popular with kids.

Me: Oh, okay. Let me check out the game and see what I can come up with.

After looking at the game I realized three things:
1. The game has a fan base in the tens of millions.
2. There is an annual convention (Minecon) devoted to this game alone.
3. I had no idea how to incorporate quantum mechanics within Minecraft.

Lo and I decided that it would be better to bring some outside help, if we were to design a new mod for Minecraft. Enter E-Line Media and TeacherGaming, two companies dedicated to making games which focus on balancing the educational aspect with gameplay (which influences how addictive the game is). Over the next three months, producers, writers, game designers and coder-extraordinaire Dan200, came together to create a mod for Minecraft. But, we quickly came to a crossroads: Make a quantum simulator based on Dan200’s popular ComputerCraft mod, or focus on gameplay and a high-level representation of quantum mechanics within Minecraft?

The answer was not so easy at first, especially because I kept pushing for more authenticity (I asked Dan200 to create Hadamard and CNOT gates, but thankfully he and Scot Bayless – a legend in the gaming world – ignored me.) In the end, I would like to think that we went with the best of both worlds, given the time constraints we were operating under (a group of us are attending Minecon 2013 to showcase the new mod in two weeks) and the young audience we are trying to engage. For example, we decided that to prepare a pair of entangled qubits within Minecraft, you would use the Essence of Entanglement, an object crafted using the Essence of Superposition (Hadamard gate, yay!) and Quantum Dust placed in a CNOT configuration on a crafting table (don’t ask for more details). And when it came to Quantum Teleportation within the game, two entangled quantum computers would need to be placed at different parts of the world, each one with four surrounding pylons representing an encoding/decoding mechanism. Of course, on top of each pylon made of obsidian (and its far-away partner), you would need to place a crystal, as the required classical side-channel. As an authorized quantum mechanic, I allowed myself to bend quantum mechanics, but I could not bring myself to mess with Special Relativity.

As the mod launched two days ago, I am not sure how successful it will be. All I know is that the team behind its development is full of superstars, dedicated to making sure that John Preskill wins this bet (50 years from now):

The plan for the future is to upload a variety of posts and educational resources on qcraft.org discussing the science behind the high-level concepts presented within the game, at a level that middle-schoolers can appreciate. So, if you play Minecraft (or you have kids over the age of 10), download qCraft now and start building. It’s a free addition to Minecraft.

# Quantum mechanics – it’s all in our mind!

Last week was the final week of classes, and I brought my ph12b class, aka baby-quantum, to conclusion. Just like the last time I taught the class, I concluded with what should make the students honor the quantum gods – the EPR paradox and Bell’s inequality. Even before these common conundrums of quantum mechanics, the students had already picked up on the trouble with measurement theory and had started hammering me with questions on the “many-worlds interpretation”. The many-worlds interpretation, pioneered by Everett, stipulates that whenever a quantum measurement is made of a state in a quantum superposition, the universe will split into several copies where each possible result will be realized in one of the copies. All results come to pass, but if we are cats, in some universes, we won’t survive to meaow about it.

Questions on the many-worlds interpretation always make me think back to my early student days, when I also obsessed over these issues. In fact, I got so frustrated with the question, that I started having heretic thoughts: What if it is all in our minds? What if the quantum superposition is always there, but maybe evolution had consciousness always zoom in on one possible outcome. Maybe hunting a duck is just easier if the duck is not in a superposition of flying south and swimming in a pond. Of course, this requires that at least you and the duck, and probably other bystanders, all agree on which quantum reality it is that you are operating in. No problem – maybe evolution equipped all of our consciousnesses with the ability to zoom in on a common reality where all of us agree on the results of experiments, but there are other possibilities for this reality, which still live side by side to ‘our’ reality, since – hey – it’s all in our minds!